Take Action Tour, Memphis May Fire

DIN Productions Presents

Take Action Tour

Memphis May Fire

Crown The Empire, Dance Gavin Dance, Palisades

Wed, March 25, 2015

Doors: 6:00 pm / Show: 6:30 pm

Tricky Falls

El Paso, TX

$19.00 - $23.00

Take Action Tour
Take Action Tour
The tour will help benefit the Living The Dream Foundation, a non-profit organization that provides hope and inspiration to children and young adults afflicted with life threatening diseases. Their vision is to share a rich, rewarding, Living The Dream experience that they'll never forget. The foundation will bring a different fan out to select tour dates where they will have their Dream Day with the band. The Devil Wears Prada will be participating in fulfilling Dream Days with fans throughout the duration of the entire tour and have already participated in one, which can be viewed HERE. What's more, ten percent of the cost of each ticket sold is donated to Living The Dream and Sub City to help further this cause making each person attending an active participant in making the world a better place.

About Living The Dream Foundation
The tour will help benefit the Living The Dream Foundation, a non-profit organization that provides hope and inspiration to children and young adults afflicted with life threatening diseases. Their vision is to share a rich, rewarding, Living The Dream experience that they'll never forget. The foundation will bring a different fan out to select tour dates where they will have their Dream Day with the band.
For More information visit - http://livingthedreamfoundation.org/
About Take Action & Sub City
Since 1999 Hopeless Records has been supporting non-profit organizations under the Sub City banner with charitable albums, tours, and events, including the Take Action Tour! Now itself a registered 501c3 non-profit organization, Sub City continues the mission of connecting bands, fans and the causes they are passionate about. Since its inception, Sub City has raised more than two million dollars for over 50 non-profit organizations!
For More information visit - http://subcity.net/
Memphis May Fire
Memphis May Fire
The music of Memphis May Fire is the sound of hope and compassion, delivered by a dedicated group of men striving for something greater than the world around them. Memphis May Fire is a clarion call to those who insist on bettering themselves, their loved ones and the conditions afflicting the world. It's not about divisive politics, it's not about polarizing debate – it's about the transcendent power of love through heavy rock.

The body of work Memphis May Fire has crafted over their last three albums, together with producer and collaborator Cameron Mizell (Sleeping With Sirens, The Word Alive), represents a creative achievement beyond even what the band's formidable success would suggest. Sure, Unconditional arrived at #1 on Billboard's Rock, Independent andHard Music charts, but that was just the mainstream icing on a cake that was lovingly baked by fans around the world who've discovered Memphis May Fire in the live setting, from satellite radio, from social media and from each other.

These five guys are like family to over a million fans following Memphis May Fire on Facebook, the tens of thousands who rushed out to put this year's Unconditional at #4 in the Billboard 200, the dedicated diehards who empty the magazine rack whenever the group graces the cover of Big Cheese, Alternative Press, Outburn, etc. and the early believers who made Challenger the highest selling debut ever for Rise Records to that point when it was released in 2012. YouTube clips like "Sleepless Nights," "Miles Away," "The Sinner," and "Vices" together represent more than 20 million views.

Charismatic frontman Matty Mullins, emboldened by a renewed purpose and the type of humility derived from personal struggles not dissimilar to the stories the band hears from their fans, leads the charge against a backdrop of instantly memorable hooks and bottom-heavy crunch. It's all ably crafted by lead guitarist/co-founder Kellen McGregor, longtime bassist Cory Elder, deeply skilled drum basher Jake Garland and most recent addition Anthony Sepe, whose guitar chops came forth in the Challenger era.

"I feel a duty to put all of my cards on the table," explains Mullins, speaking specifically about the emotional vulnerability all over the songs on Unconditional. "This album came from a very personal place. It's very important for people find out someone else has gone through what they have. Otherwise, you feel like you're losing your mind."

The unity of shared purpose is palpable at a Memphis May Fire show, whether songs like "No Ordinary Love," "Beneath the Skin" or "Losing Sight" are blasting from the Warped Tour's main stage or emanating from the speakers at one of the packed clubs the band makes their nightly home. Cares cast aside, problems pushed to the forefront, the visceral connection between artist and audience is alive and audible with each sing-a-long chant. Melodic mood swingers like "Speechless" and "Need to Be" demonstrate the full capacity and scope of what Memphis May Fire is capable of doing, winning them spots on major radio festivals like Welcome to Rockville and Carolina Rebellion as their heavier side secures fests such as Download and With Full Force.

An organic and incremental growth has propelled Memphis May Fire ever since they followed their underground 2009 debut album with 2011's The Hollow, a modern metalcore masterpiece that led into the broadened musical horizons of their commercial breakthrough, Challenger, and the 2014 Album of the Year contender Unconditional.

Plenty of Memphis May Fire's contemporaries have fans that profess their adoration, gratitude & even spiritual connection to the power of music, but few groups embrace the full responsibility inherent within those reactions the way Memphis May Fire has, acknowledging that something bigger than rock n' roll has taken hold. Make no mistake, Memphis May Fire deliver hard rock anthems steeped in modern subculture and the best of radio rock, but their purpose continues to evolve into something greatly bigger than themselves, with no limit as to what they can achieve.
Crown The Empire
Crown The Empire
It's true: A picture does paint a thousand words, even if the artist uses sound—rather than pigment and pencil—to create that image. For the Dallas-based outfit Crown The Empire, that means making music on a level rarely seen nowadays, combining visual aesthetics, theatrical sonic textures and thought-provoking lyrics for an audio experience that takes the listener on a wild ride of epic proportions. And they're just getting started.

Armed with The Fallout, the band's recent full-length debut, Crown The Empire are bringing a high-energy, visually stimulating and thematically engaging side to post-hardcore, that's already created a massive buzz for the still-embryonic outfit. Set amid a charred post-apocalyptic landscape, listening to The Fallout is an unforgettable excursion into the imaginations of its makers.

"We wanted this music to constantly make you feel what we were feeling and what we were writing about, whether it's the softer or heavier songs," explains Andy Leo, "We were trying to make it the sound of what you should be feeling; if you were watching a movie, this would be the score."

Crown The Empire—which includes vocalists Andy Leo and David Escamilla, guitarists Brandon Hoover and Bennett Vogelman, drummer Brent Taddie and bassist Hayden Tree—formed in Dallas, Tex. in 2011, after Leo connected with Hoover and Tree, with the goal of starting a new project. Taddie and Vogelman—both discovered through videos of them playing covers on YouTube—joined later that year, and those early efforts led to the November 2011 EP Limitless. Then in March 2012 second vocalist Escamilla was added to the fold, solidifying the lineup as it currently exists, giving birth to the band's full-length debut, The Fallout, released November 2012. Over the past two years the band has toured both nationally and abroad, with slots on the recent Our Last Night run, the 2013 Take Action tour with The Used, select dates with Falling In Reverse, and a U.K. run with Pierce the Veil. Crown The Empire were also recently featured on the cover of Alternative Press' annual "Bands You Need To Know" issue.

Sequestered in Michigan with famed producer Joey Sturgis (The Devil Wears Prada, We Came As Romans, Miss May I), the band spent August and September of 2012 laying down the intricate compositions that comprise The Fallout, recording well through the night on most evenings. A painstaking process by all accounts, Leo says he spent six weeks living in Sturgis' basement, subsisting on ramen noodles and microwave meals, but couldn't be happier with the results. Sturgis is known for both his sparkling sonic touch, as well as his knack for adding cinematic elements to the music, and both qualities help make The Fallout shine.

"Joey didn't change much song structure-wise; he mainly made it sound good," explains Leo. "We have a more defined approach of what we want an album to sound like, and Joey is the perfect producer for that. We wanted all this real sound, and he captured that."

"What would be left behind at the end of the world? Metal, gears…The bass booms on the record have explosions in them, and glass breaking, and gears turning over, sounding like a broken-down industrial park," says drummer Brent Taddie, regarding the album's end-of-world vibe. "There would be power grids, wires, steel left behind. All those explosions, the heavy parts, the aggressive vocals are breaking down the end of the world. The strings, the clean vocals are kind of the harmony coming through, but the guitar, the kick drum, the explosions—that's supposed to be the destruction…the end of the world."

The dark and cinematic soundscape that pervades The Fallout reflects the album's post-apocalyptic theme, which actually began as a metaphor for a failed relationship. Leo says the idea came about after a member had broken up with a girlfriend, later realizing the full impact of his decision. Using some poetic license, the split was transformed into a global doomsday-inducing event.

"Her friends kept saying, 'You ended her world,'" Leo remembers. "I was sitting around with a Brandon, telling him about it, and we decided, what if it did actually end the world with that breakup? From there, we started building this idea of the end of the world, and built a setting for it around this theme of being alone and faced against people. It all spawned out of a breakup, but it turned into this huge, massive world."

Perhaps no track on The Fallout conveys this central them more than "Memories Of A Broken Heart." Although one of the softer moments on the album, Leo says the lyrics are especially impactful in the record's overall context. "That song has the perfect syllogism for the end of the world and the breakup. It talks about both," says Leo. "I was outside and thought of the idea for the lyric 'I stand on the ash of all I've ever loved.' I was so stoked, because we'd already come up with the idea for the end of the world being a breakup. That line was about the ashes of a building, or the ashes of relationships."

To date the band has released two music videos to accompany the The Fallout's release: a two-part series for the tracks "Oh Catastrophe" and the title track. The visual story arc in the two videos conveys a tale of star-crossed lovers separated by differences in ideology, rather than being united by love.

"We came up with this idea of a weird Romeo and Juliet thing, with people not making the tough choices and arguing over things like religion, and all these things that at the end of the world wouldn't matter. Somebody's gonna be wrong," says Leo. "I was thinking of how stubborn someone could be to see the end of the world not ending the way their book said it would, and still trying to argue. In the video, there's this idea that love—this couple—could disband the army that was trying to keep them apart. They couldn't see the love that was in front of them."

With The Fallout still fresh, Crown The Empire have an extensive tour itinerary planned for the coming months, with a headlining run booked for spring and a slot on the Rise Records Tour (alongside labelmates Like Moths To Flames), then a full slate of dates on this summer's Vans Warped Tour. Leo says as the group continue to build momentum, they plan on making their live shows progressively more elaborate and cinematic, further bringing Crown The Empire's evocative brand of music to life.

"We're constantly talking about new backdrops, new cabinets, new gear…how we can sound better. Eventually we want to be talking about what kind of rigs can we build on stage, what kind of lighting can we bring, what sort of pyrotechnics. That's a huge part we love, that a lot of the bands have lost out on: the idea of a big festival for your eyes and not just your ears," says Leo. "I think the shows will take a whole new level in the future. They're always going to just get bigger."
Dance Gavin Dance
Dance Gavin Dance
Dance Gavin Dance is an American post-hardcore band formed in Sacramento, California in 2005. They released four full length studio albums and one EP. Their latest effort, Downtown Battle Mountain II was released on March 8, 2011.
Palisades
Palisades
Palisades, formerly known as Marilyn Is Dead, has further reinforced and redefined their sound. Armed with a combination of post-hardcore and pop-punk influences, Palisades adds an entire new element of emotion to their rich, big sound. Strong, catchy choruses, along with aggressive melodic screaming are combined with more contemporary breakdowns, adding a very unique and distinct character to their music. Having recently recorded at Chango Gridlock Studios in Orlando Florida, Palisades plans to release their EP, and continue frequent touring.
Venue Information:
Tricky Falls
209 S El Paso St
El Paso, TX, 79901
http://trickyfalls.com/